My desire to talk about a fairly contemporary state of male sexuality – some kind of media programming of a “reptilian” part of the male brain to be sexually triggered with an image – is not so new. The assumption that they are exclaimed with possible sexual aims is soon affirmed, but the lyrics of the second part of the track subverts the arousing into other daily phenomena not so typical of sexual hints. At first, the lyrics seem to be about those almost “stereotypically sexy” female adornments. The title track has no refrain, no breakdown, just two long verses that keep on going and going. The intro does not leave you hanging: here comes an electro beat, lined with a relentless bassline and supported by a mix-up of samples from a well-known house track and a rhythmic litany by a male voice. At least with me.Ĭontinue reading → Posted in: Blog, Patreon | Tagged: electro, making of, processing, renoise, video Turns Me On EP And, you know, the need for flexibilty usually translates into kinda do-it-yourself quick guerilla work.
So the video was on hold all this time as I was working on music and I felt I need a more flexible plan. But I was already getting late with finishing the main track, not to mention I wanted to make remixes and so on. The idea of this post is to give a peek at the behind the scenes ideas and mechanics that lead to the way the Turns Me On video turned out.Īt the initial brainstorming the basic problem in that early stage seemed to be this question: does a video for a track about sexual excitement really needs hypersexualized images of women in any way? I really wanted to turn this stereotype on its head somehow and first had the idea to go to clothes shops with a friend, a young male actor, and take skirts, high heels, sexy tights and other women’s clothes, go to changing rooms and have another friend shoot him trying things on. To be honest, I recorded the talk but didn’t like it, but since it actually detailed in a brief way the process I converted it into a blog post. The writing below used to be a synopsis for a some kind of vlog progress report about how the Turns Me On video was made. , Slovenska kinoteka, Ljubljana, SI (odpade/cancelled) Video at 21:00, 2017 – Community, Stadtwerkstadt, Linz, AT Production: Emanat – ( emanat.si/en/production/luka-princic–interface-fractures-if4q)įinancial support: City Municipality Ljubljana, Ministry of Culture RS Technical
Their synthetic integration emerges from the process of searching for fractures and subjectivities in a seeming impenetrability of polished and polarised interfaces – mediated, inter-machinic, interhuman. Interface Fractures is thus a fragmented excursion into abstract sound and the moving picture. Although the creation process includes an examination of the contemporary human condition, conventional narration is not so important in the created performances and remains in the background. The series’ cinema-sound episodes share the same method and format: an immersive situation in the darkness of the cinema, the use of digital and open source tools for generating image and sound, a dichotomy between fixed composition and improvisation in time, a tendency for abstraction out of which fragments of the concrete arise, and playing with the synchronisation of sound and image.
#RENOISE BACKSTAGE SERIES#
Interface Fractures is a series of audiovisual explorations Luka Prinčič has been developing in collaboration with the Slovenian Cinematheque since 2013.
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